Josh Griffiths

The Best Books I Read in 2025

I used to be an avid reader, but in the last two years, I drifted away from it. I’m not entirely sure why, but I knew I wanted to get back into it. And I did, especially in the second half of the year. I read so many great books and didn’t run into many duds.

Once again, just like my video games and movies blogs, this is about the books I read in 2025, not necessarily the ones that came out this year. I rarely buy books the year they release because new books are so darn expensive compared to used books. Don’t tell future published author Josh that, though.

How Good It is I Have No Fear of Dying

Lieutenant Yulia Mykytenko in her combat gear

We pick up where my Best Movies of 2025 blog left off. How Good It is I Have No Fear of Dying tells the firsthand account of a female Ukrainian officer fighting on the front line. It’s not common to find women fighters in Ukraine, but its not exactly rare, either. Most women in the Ukrainian military work in auxiliary roles, but like Lieutenant Yulia Mykytenko, there are some fighting in the trenches.

We follow Yulia’s journey from the start of the full Russian invasion in February 2022 (though she reminds us that Russia’s invasion really began in 2014 with the Russian invasion of Crimea and the Donbas) through February 2024. She was near a lot of the action, from her initial deployment in 2015, getting married to another soldier, his death, leaving the army, the initial invasion in 2024 when she was a civilian, rejoining the army to defend Kyiv, holding the line during Russia’s retreat and reorganization, Ukraine’s failed 2023 counteroffensive, and the stalemate that ensued.

The book stops in February 2024, and a lot has happened since then on the battlefield. Russia has launched several more offensives that have largely been successful, now occupying 20% of Ukraine. Mykytenko is still fighting on the front line, though she ended a monthly war diary she wrote for The Irish Times in June 2025.

Like 2000 Meters to Andriivka, this is a story that does not glorify war, instead showing the harsh realities of life on a battlefield. Of killing and dying. It’s not nearly as visceral, not being able to see it with our eyes, but we do get a deeper account of a single soldier’s story. Mykytenko is also more outspoken than anyone in that documentary, blaming Russia for the war, but also criticizing the United States and Europe for not doing enough and Ukrainian President Volodymyr Zelenskyy for not taking early warning signs in the lead up to the invasion seriously.

Written by journalist Lara Marlowe, this is still Yulia’s story. Most of the book is about her time on the front line, though we do get some of her backstory and learn about her comrades. There’s talk of what its like to be a woman soldier, discussions about the Ukrainian men who have fled the country rather than fight, and so much pointless death and destruction.

War was popular in 2025, and it looks like its going to be even more beloved in 2026. Perhaps if more people read books like How Good It is I Have No Fear of Dying that won’t be the case.

Underground

Japanese workers clearing sarin gass residue from the Tokyo subway

I’ve heard of Haruki Murakami before, I remember when 1Q84 came out in 2011 and seeing it everywhere. That and Killing Commendatore a few years later. I’ve always heard about how he’s a great writer, except when it comes to sex scenes apparently, but I never ready any of his stuff until this year. And me being me, I started with two of his non-fictions books: What I Talk About When I Talk About Running and Underground.

Underground tells the story of the 1995 Aum Shinrikyo sarin gas attack on the Tokyo subway, which is something I had never heard of before this. What I love so much about this book is that Murakami doesn’t tell it in a traditional way, he instead interviews people who were there that day – not just victims but also people who worked at the subway, friends and relatives of victims, and even members of the cult. The format is what makes it so good. We rarely hear from Murakami, instead the book is a series of interviews laid out in a narrative. If you’ve seen the documentary They Shall Not Grow Old, it’s exactly like that.

Reading these firsthand accounts, and from victims families, is harrowing. They all speak in a way that makes it very easy for you to put yourself there on the day of the attack. And seeing peoples stories connects, who never knew each other before the attack is… I don’t know what the word for it is. Certainly not “heartwarming.” Maybe it creates some sense of a shared existence, of the breaking down of barriers between ourselves and lets us relate to one another better. Sure, let’s go with that.

The edition I read is an updated one that includes interviews with Aum members, though no one directly involved in the attack. These are a fascinating read into the mind of people lured into a cult. Some recognize that Aum is indeed a cult, that they’ve done bad things, and that bad things happened to them as a result of being in a cult. But many of the members he talk to are still members, and even some of those that have left still respect their leader, Shoko Asahara. Murakami faced some pushback in Japan as some thought he was sympathizing with the cult members, but I think he does a good job of painting with broad strokes, of not painting these members who weren’t involved as evil monsters.

I find it endlessly fascinating to draw parallels between Aum and the Unification Church and their tight hold on Japanese politics to this day. But I digress.

Circe

A medieval painting depicting Circe

I was surprised by how much I liked Madeline Miller’s Circe. This whole “re-telling classic myths and stories from another perspective” trend hasn’t done anything for me. So I can’t remember what made give this a try, but I’m glad I did because I loved it.

The book retells the story of Circe, the Greek witch or goddess (depending on who you ask) who is the daughter of Helios and Perse. In mythology and retellings, she’s painted as a villain, an evil witch who turns innocent men into pigs, turned a goddess into a horrible monster because her crush Glaucus liked her instead, and threatens men who refuse her advances. You can see how these depictions might be Problematic, especially those later retellings that made her more and more of an evil harlot.

Miller re-contextualizes Circe’s story. Her parents hated her, her family hated her, the other gods and nymphs hated her. Everyone thought she was horrible because she was part human and seemingly didn’t have any powers of her own. She learned forbidden magic and only turned a woman into a monster because she was being bullied, and it became the biggest regret of her life. She was banished from Olympus and sent to live on an island where she just wanted to be left alone, but the gods kept showing up to annoy her anyway. Soon men came to bother her too, including dozens over the years who tried to take advantage of what they thought was a defenseless woman. Turning them into pigs became a weird defense mechanism.

Circe goes on a roller coaster ride throughout. We trace her journey from a child to hundreds of years later (she is an immortal goddess). She goes from confused as to why she’s so hated, to angry, to accepting, to introspective, to bitter, to everything in between. She spends most of her life wanting to be alone, but there are times when she thinks about what she wants out of life, something more than living on a tiny island. Despite this, Miller’s writing style is easy to read, and fast-paced. This is a quick read, but one that sticks with you for a while, and I find I always end up loving those kinds of books the most.

Gate of Ivrel

The original bad ass artwork for the cover of Gate of Ivrel

CJ Cherryh’s first book, Gate of Ivrel, is my favorite of hers I’ve read so far. It’s a cross between science fiction and fantasy, but just as much as a road trip story as anything.

We follow a guy called Vanye, a mixed race Cha Nhi and the illegitimate son of the Nhi King Rijan. He takes pity on this son of his, allowing him to stay at his palace with his two legitimate sons. Which goes about as well as you’d expect. They hate Vanye, and although he cannot be king, he is made a warrior one day which is a great honor nonetheless. His brothers out of a twisted sense of anger, jealousy, and royal fear attack him soon after. Bad idea for them, as Vanye kills one and maims the other in self defense. Still, they’re the princes and he’s a bastard, so after refusing to kill himself in an honorable form of punishment, he is exiled.

This is basically a death sentence anyway as Nhi is surrounded by hostile nations that would love to kill the king’s son, legitimate or not. Yet he survives for a couple of years on his own when his enemies finally catch up to him. Running into a a snow-covered forest to escape his pursuers, he stumbles on something called a Gate. He somehow activates it, and out comes a strange woman calling herself Morgaine. She ran into this Gate fleeing the forces of Thiye Thiye’son’s army when they killed all her men. For her, she was in there mere moments, but back in the real world, one hundred years have passed.

The two set off on a journey to defeat the still alive Thiye and close the Gate that gives him his power. It turns out that Morgaine is an alien part of a group that are traveling the known galaxy shutting down these Gates because they warp time and space and resulted in this one ancient civilization becoming evil dictators, essentially. This isn’t technically a spoiler, since the book spoils itself in the blerb on the back, but it would have been more impactful to piece this together ourselves.

Gate of Ivrel is well-written, with memorable dialog and story beats, and Morgaine and Vanye are great protagonists. The main villain, Thiye is kind of lame, but there are two other antagonists that more than make up for him. It’s incredible how much Cherryh was able to pack into just 190 pages, meanwhile modern sci-fi and fantasy novels could stop a bullet and still aren’t half as interesting. Perhaps there’s a lesson there? I reviewed the book earlier this year if you want to read more about it.

Honorable Mentions

This list was supposed to have a several more entries, but I ran out of time. I read these books earlier this year and didn’t take notes because I didn’t think I’d write about them. I don’t have time to re-read them and, frankly, I’m not feeling great right now. But I still want to acknowledge a few books, so I’ll give them a quick shout out.

The Sympathizer is the rare example of a popular book actually being good. Telling the story of an unnamed South Vietnamese soldier during the Vietnam War, he flees to America after the North wins. He ends up doing crime (not the fun kind) and somehow joins a CIA-led guerrilla force intended to Bay of Pigs the newly communist Vietnam. That goes about as well as you’d expect.

Eric Larson's The Demon of Unrest tells the story of the lead up to the American Civil War. Maybe being from Charleston, South Carolina biases me, but I found the depiction of the utterly vile pieces of human garbage in my home city and throughout the south to be eerily familiar and horrifying. It was like reading a horror novel set in my backyard.

Jason Schreier's first book, Blood, Sweat, and Pixels, is one of the best about video games. His next, Press Reset is just as good. Whereas his previous book is a joyous look at the creation of indie games, but also the strife they can cause their creators, Press Rest instead looks at the grimy underbelly of the AAA industry. This, too, often feels like a horror novel, as you read about the stupidest people wielding power like a cudgel. You will not be able to come away from this book without hating Ken Levine and EA. Well, more than you probably already do.

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